A Hard Days
Night, 1964
A Hard Day's
Night is the third studio album by the Beatles, released on 10
July 1964 by Parlophone, with side one containing songs from the
soundtrack to their film of the same name. In contrast to the
Beatles' first two albums, all 13 tracks on A Hard Day's Night
were written by John Lennon and Paul McCartney.
The album
includes the song "A Hard Day's Night", with its distinctive
opening chord,[4] and "Can't Buy Me Love", both transatlantic
number-one singles for the band. |
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Help! 1965
Help! is the
fifth studio album by the Beatles and the soundtrack to their
film of the same name. It was released on 6 August 1965. Seven
of the fourteen songs, including the singles "Help!" and "Ticket
to Ride", appeared in the film and take up the first side of the
vinyl album. The second side includes "Yesterday", the
most-covered song ever written. The album was met with
favourable critical reviews and topped the Australian, German,
UK and US charts. |
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Revolver,
1966
Revolver is the
seventh studio album by the Beatles. It was released on 5 August
1966, accompanied by the double A-side single "Eleanor Rigby" /
"Yellow Submarine". The album was the Beatles' final recording
project before their retirement as live performers and marked
the group's most overt use of studio technology to date,
building on the advances of their late 1965 release Rubber Soul.
It has since become regarded as one of the greatest and most
innovative albums in the history of popular music, with
recognition centred on its range of musical styles, diverse
sounds, and lyrical content. |
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Sgt.
Pepper's Lonely Hearts Club Band, 1967
Sgt. Pepper's
Lonely Hearts Club Band is the eighth studio album by the
Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by
musicologists as an early concept album that advanced the roles
of sound composition, extended form, psychedelic imagery, record
sleeves, and the producer in popular music.
The album had
an immediate cross-generational impact and was associated with
numerous touchstones of the era's youth culture, such as
fashion, drugs, mysticism, and a sense of optimism and
empowerment. Critics lauded the album for its innovations in
songwriting, production and graphic design, for bridging a
cultural divide between popular music and high art, and for
reflecting the interests of contemporary youth and the
counterculture. |
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Magical
Mystery Tour; 1967
Magical Mystery
Tour is a record by the Beatles that was released as a double EP
in the United Kingdom and an LP in the United States. It
includes the soundtrack to the 1967 television film of the same
name. |
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Factory Entertainment |
Corgi, 1:50 Scale |
Corgi OOC 42403: 1:76 Scale |
Corgi OOC 90207: 1:76 Scale |
Corgi OOC CC42418: 1:76 Scale |
Yellow
Submarine; 1969
Yellow
Submarine is the tenth studio album by the Beatles, released on
13 January 1969 in the United States and on 17 January in the
United Kingdom. It was issued as the soundtrack to the animated
film of the same name, which premiered in London in July 1968.
The album contains six songs by the Beatles, including four new
songs and the previously released "Yellow Submarine" and "All
You Need Is Love". The remainder of the album is a re-recording
of the film's orchestral soundtrack by the band's producer,
George Martin. |
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Corgi Toys 803; The Beatles Yellow Submarine |
Corgi 1997 |
Corgi 1997
With Beatles Figures |
Corgi 2000 |
Corgi 2002 |
Abbey Road,
1969
Abbey Road is
the 11th studio album released by the Beatles. It is the last
album the group started recording, although Let It Be was the
last album completed before the band's break-up in April 1970.
It was mostly recorded in April, July and August 1969, and was
released on 26 September 1969 in the United Kingdom, and 1
October 1969 in the United States, reaching number one in both
countries. A double A-side single from the album, "Something" /
"Come Together" was released in October, which also topped the
charts in the US. |
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Let It Be; 1970
Let It Be is the 12th and final studio album by the Beatles. It
was released on 8 May 1970, almost a month after the group's
break-up, in tandem with the documentary of the same name.
Concerned about recent friction within the band, Paul McCartney
had conceived the project as an attempt to reinvigorate the
group by returning to simpler rock 'n' roll configurations. The
album topped charts in many countries, including both the UK and
the US, but the critical response was generally unfavourable,
and Let It Be came to be regarded as one of the most
controversial rock albums in history. |
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Factory 21804; London Taxi; Beatles, Long &
Winding Road |
Factory Entertainment |
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Not album
related
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Corgi 22301; AEC Ergomatic Cab; 4 Wheel Rigid
Flatbed Billboard, The Beatles |
Corgi 04440; BL/Rover Mini; The Beatles;
Psychedelic Mini |
Corgi 05606; Bedford CA Van; Graffiti Van, The
Beatles Collection |
Corgi 32304; AEC Routemaster Bus; The Beatles,
Liverpool Corporation, 77 Penny Lane |
Corgi 58003; Austin FX4 Taxi; The Beatles
Newspaper Taxi & Figure |
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Corgi 58007; Austin FX4 Taxi; The Beatles
Newspaper Taxi |
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