A Hard Days Night, 1964

A Hard Day's Night is the third studio album by the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney.

The album includes the song "A Hard Day's Night", with its distinctive opening chord,[4] and "Can't Buy Me Love", both transatlantic number-one singles for the band.

Help! 1965

Help! is the fifth studio album by the Beatles and the soundtrack to their film of the same name. It was released on 6 August 1965. Seven of the fourteen songs, including the singles "Help!" and "Ticket to Ride", appeared in the film and take up the first side of the vinyl album. The second side includes "Yesterday", the most-covered song ever written. The album was met with favourable critical reviews and topped the Australian, German, UK and US charts.

Revolver, 1966

Revolver is the seventh studio album by the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds, and lyrical content.

Sgt. Pepper's Lonely Hearts Club Band, 1967

Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music.

The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

Magical Mystery Tour; 1967

Magical Mystery Tour is a record by the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. It includes the soundtrack to the 1967 television film of the same name.

Yellow Submarine; 1969

Yellow Submarine is the tenth studio album by the Beatles, released on 13 January 1969 in the United States and on 17 January in the United Kingdom. It was issued as the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" and "All You Need Is Love". The remainder of the album is a re-recording of the film's orchestral soundtrack by the band's producer, George Martin.

Abbey Road, 1969

Abbey Road is the 11th studio album released by the Beatles. It is the last album the group started recording, although Let It Be was the last album completed before the band's break-up in April 1970. It was mostly recorded in April, July and August 1969, and was released on 26 September 1969 in the United Kingdom, and 1 October 1969 in the United States, reaching number one in both countries. A double A-side single from the album, "Something" / "Come Together" was released in October, which also topped the charts in the US.

Let It Be; 1970

Let It Be is the 12th and final studio album by the Beatles. It was released on 8 May 1970, almost a month after the group's break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. The album topped charts in many countries, including both the UK and the US, but the critical response was generally unfavourable, and Let It Be came to be regarded as one of the most controversial rock albums in history.

Not album related